Skip to content
Monday, October 12, 2026
TruePortal

Dance Luminary Matthew Ball on Demanding Parts and Social Media Attention: 'I'm Not Precious About My Body'

In the quiet atmosphere of a lounge near London's Royal Ballet, Matthew Ball requests a mint tea. His posture is naturally upright, his limbs muscular beneath a simple tee. On stage, ballet dancers can seem as mighty deities, yet often in person they are petite. Not so Ball, whose tall stature is one reason for his popularity for princely roles and partnering. Possessing fine traits and intense eyes, there's a hint of a brooding actor about him.

An Apparent Rise to the Pinnacle

At 31, Ball is enjoying the peak of a career that has advanced seamlessly. Growing up in Liverpool, he encountered little ridicule for his early passion in ballet. Entering the esteemed training institution at 11, he graduated directly into the company and was advanced annually, attaining the top rank of principal in 2018. He has loved taking on substantial characters, particularly the psychological turmoil found in Kenneth MacMillan's ballets.

"Your breath is short, your legs get heavy, but it’s really a mental fatigue."

Ball's next featured role is as himself, in an "In Conversation" event designed to offer intimate perspectives into a dancer's art. He will walk the crowd through a role, demonstrating his mental workflow while execution. Yet in more comedic works, the test is significant. "A classic ballet is one of the most demanding technically," he notes.

The Mental Struggle and Post-Performance Feelings

What about after a performance, when he has succeeded? "It feels pretty good," he says. "But because I'm trying to squeeze all the juice out of it, and get immersed in the character, quite often I do feel self-conscious later. After Mayerling I'm always like: God, what must people think?"

Offstage, Ball is thoughtful, polite, and quick to laugh at himself. Yet a dance maker once remarked on a "kind of suffering in him." Is there? "I'm quite active in general, but I do have a melancholy streak," he confesses. "I kind of enjoy negativity sometimes. I've always felt that doubt has been an catalyst for good change."

Early Motivations and Artistic Influences

Ball's determination originated in youthful experiences. Not excelling in competitions at school made him "vengeful!" This became motivation to prove he could achieve. Reading the book *Mao's Last Dancer* was a "watershed" moment. "It changed everything, it made me go a bit fanatical," he recalls.

An upcoming challenge is making his own dance works. For Ball, "there's nothing wrong with." "Challenging the conventions is compelling, but just acting that they’re not a thing any more – I don’t know how far you can go with that." He wants his work to be loaded with substance, drawing inspiration from literature, compositions, and painting.

Intimate Performance and Private Dynamic

He also is interested in presenting dance in more intimate venues. "It was just really exciting," he says of a past experience. "You’re so near to the audience. I felt as if they were thinking: 'That’s a person, and they’re sweating.'"

Ball has created pieces with his girlfriend, fellow lead dancer Mayara Magri. The degree of trust between them is evident. "We tried it out on the beach first," he says of a daring lift. "It resembled Dirty Dancing." They are not typically matched on stage at their main theater, which is perhaps beneficial. "We’re both quite strong-willed people, so it’s not always smooth sailing," he notes. "Yet I feel like we’re each other’s favorite supporter."

On Social Media and Bodily Perception

On Instagram, fans can see clips from his dance films and photos that showcase a athletic physique. Does he mind that the engagement can be somewhat objectifying? Not really. "The body is just what we use, so I don’t feel very protective about it," he states. He relates it to seeing Michelangelo’s David—something that can be interpreted on various levels.

Ball describes his early self as "eager for success." Did it lived up to his hopes? "I feel very aware of how reality is a different thing to the dreams you made as a young person," he muses. He probably has about decade of dancing left. "I guess in the future, I want to be a bit more kind with myself."

The writer

Brian Williamson

A tech enthusiast and writer with a passion for exploring emerging technologies and their impact on society.

TruePortal

Type to search articles.